Today, after half a century of a well‑deserved Sleeping Beauty slumber, I awaken the princess of my heart back to life so that, rested and dressed in a new wedding gown,
I can finally present her to the public.
She was born in English Southampton on Northam Road number 67/69, between 1977
and 1980, in two houses of the Anglican Church that were already marked for demolition.
Although this being was created from paper, cardboard, plexiglass and an iron frame, it reflects the human being’s love, devotion and innate intuition toward its universe, the planet Earth, and the never‑ending curiosity to understand that is necessary for survival.

These criteria still enable me today to find my way even without a compass, as they serve as signposts and constant companions.The GEHLHAAR COLLECTION spans more than five decades and shows the evolutionary journey of a person who, freely following Goethe, tries to explore: what holds the world together in its innermost core Considering the few works from different life phases that led to the creation of the formula, as well as the numerous works that emerged from them, offers quite an interesting opportunity to cast a clarifying look at the psychological and philosophical mysteries of this odyssey.
Fortunately, the most important elements and artifacts of the collection have all remained more or less intact despite many adventurous and unforeseeable accompanying circumstances.
The collection is not only a unique opportunity for art lovers but could also be of interest to
institutions and foundations of various kinds.It reflects, in a scientifically and artistically formative way, the quintessence of a comprehensible, unique research journey.
As children of the wind, we set off without knowing exactly what we are looking for.
We traverse in blind flight the jungle of our ignorance and, coming from the darkness, intuitively explore our way to the light.
We share the vibrations of energies with the interferences of an odyssey, to at least once, before  the journey continues, experience a breath of truth.

The work presented to you here weighs around 120 kg, is 5 m2 , and with its 4 triangular open mirrors, occupies an area of at least 25 m2 to hang it halfway adequately. It is the unique specimen of a virtual quantum-holographic loom represented through geometric forms and arose from a deeply felt longing for communication with creation—or,
if you prefer that term, with God!

The designation quantum-holographic loom describes the geometry of the thought-world of billions-fold information of every being, originating from a square base, interwoven in the
enigmatic fabric of their perceptions.
The definition of our universe would represent itself as an incomprehensibly gigantic brain of the human reduced into infinitely miniaturized mirror images of itself.The manifold, breathing wonder of creation.Born through the mysteries of the oceans of all possibilities, arising from the mysterious consciousness of whatever divinity.
To make handling the Ten Commandments in daily life simpler, I reduced them back then to three of the most important points for me:

DO NOT BREAK THE MIRRORS
   GIVE EVERYONE A CHANCE
 BREATHE IN YOUR OWN RHYTHM

 
                                                                 
 DEAR ART INVESTORS

The year 2026 will be the year of surprises and rediscoveries. Among other things, the
collection accumulated over half a century by the artist and researcher,
HANS CHRISTIAN THOMAS GEHLHAAR

offered for sale uniquely for private reasons.

The collection comprises 400 artifacts, composed of the following elements:
1.) 300 professionally framed pictures with museum glass in sizes between 0.50m and 2.00m.
2.) The 2.80m tall tower made of cardboard, wood, and aluminum, as a construction model of a virtual quantum computer.
3.) A 0.32m x 0.32m large wooden cube containing the formula processed in 3D from cardboard.
4.) A roughly 1.00m x 0.80m large walnut, with the basic particle packed in its ball:
The Nesitron, a round box with 64 virtually included qubits, and which in turn presents itself as a single-celled Archaea ship.
5.) Seven model ships, whose significance is represented in various combination possibilities of cell compositions in maritime disguise.
6.) Countless preliminary works in materials paper, cardboard, wood, aluminum, plastic, and small cubes sawn from the volcanic rock of Puy de Dôme.
7.) The formula in the form of a graphic that unfolds into two parts made of wood, cardboard, iron, and plexiglass in the size 2.50m x 1.25m and the associated triangular mirrors hanging on each of the four sides, each 2.50m x 1.25m large.
In the open state, the formula requires a space of at least 25m² to enable an adequate
presentation of the
ASYMMETRIC MIRROR UNIVERSE A=E.

The construction objects mentioned here can only be acquired in their entirety, as they are the most important parts of the main work:
       
   THE QUANTUM HOLOGRAPHIC LOOM

The collection arose from a twenty-year odyssey, whose current research result is reflected in the objects mentioned here, and whose origin story is no less remarkable than the extraordinary adventures of a modern Odysseus. To internalize the main work, four small books were conceived, whose texts and illustrations make it possible to effortlessly follow the philosophy of the oeuvre.
                                                            

        TZALLAMANDRA /  TOE  / PUSTEBLUME  / THE CHERRY TREE

The value of this total work of art lies in the desire to comprehend Goethe's famous
statement:
     THAT I RECOGNIZE  WHAT HOLDS THE WORLD TOGETHER AT ITS CORE

                                                       and his self-critical conclusion:                                                      

       HERE I STAND NOW, POOR FOOL AND AM AS SMART AS BEFORE

Yet both the labors and especially the joys of this spontaneous odyssey, which ultimately stretched over five decades, are certainly the most valuable and wonderful adventure of my life.

  HANS CHRISTIAN THOMAS GEHLHAAR